Super Large Wall Mounted Tree of Life with Perched Birds in Brass
Super Large Wall Mounted Tree of Life with Perched Birds in Brass
Moolatho Brahma roopaya , madhyatho Vishnu roopine,
Agratha shiva roopaya Vruksha rajaya they nama.
Salutations to the king of trees.
Whose root is Brahma's shape, middle is Lord Vishnu's form, and top is Lord Shiva's form.
Many ancient literature reference Aswatha Vruksha, or the Peepal Tree, as a holy tree and the king of trees. It is thought that its roots grow vertically while its branches grow downwards. Large Tree of Life is a rich opus dedicated to the majesty of the Aswatha tree that oozes imperial magnificence. It is handcrafted with exceptional skill and boasts a harmonious combination of brass, a durable material, and natural beauty. The body of the tree is represented with accuracy with the mighty roots coming downwards to unite with the holy soil. Brass-colored birds perch gracefully on the branches, adding a sense of majesty to the scene. A magnificent variety of painstakingly placed brass leaves stretches outwards, each one meticulously created, offering a breath-taking display of craftsmanship.
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Clay model making
The making of a bronze statue or sculpture starts with preparing a full-sized clay (usually Plasticine) model of the sculpture. This allows the artist to have an idea about the overall shape and form of the desired sculpture before working with bronze, a much more expensive and difficult-to-work-with material.
Mould making
Once the clay model is ready, a mould of the original sculpture is made. This is done by carefully covering the clay model with plaster strips. This step is carried out in such a way that no air bubbles are formed. It takes up to 24 hours for the plaster to dry. Once dried, the plaster is then gently removed from the clay model. The removal happens easily because the inner mould is usually made of materials such as polyurethane rubber or silicone.
Wax filling and removal
In this step, molten bronze or wax is poured or filled into the mould in such a way that it gets even into the finest details. The mould is then turned upside down and left to cool and harden. When the wax has hardened, it is removed from the mould.
Chasing
Chasing is the process in which the artist refines the surface of the bronze statue using various tools to achieve fine details. This smoothens the surface and gives the statue a finished look. If some parts of the statue were moulded separately, they are now heated and attached.
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